You can find Micro Four Thirds lenses from a range of different camera brands including Kodak, Olympus, Panasonic, Cosina Voigtländer, DJI, Kowa, Xiaomi, Mitakon, Samyang, Sharp, Sigma, Tamron, Tokina, and Veydra.
Afterall, do all Micro Four Thirds lenses compatible?
Are all Micro Four Thirds lenses compatible? Yes – one of the great things about the Micro Four Thirds system is that you can use any MFT lens on any brand MFT camera body.
Futhermore, why are micro 4 3 lenses so expensive? You need a 40mm f/1.4 to get the same angle of view and depth of field as a 50mm f/1.8 lens on an APS-C DSLR, which pushes the cost up further. The smaller sensor in the micro four thirds does allow a much greater degree of shake reduction in the camera, in fact m43 bodies have the best stabilization out there.
Ergo, which lens is best for landscapes?
What Makes a Great Landscape Photography Lens?
Sigma 14mm f/1.8 DG HSM Art.
Nikon 24-70mm f/2.8E ED VR.
Sony FE 24-70mm f/2.8 GM.
Canon 24-70mm f/2.8L II USM.
Canon EF 70-300mm f/4-5.6 IS USM.
Nikon 70-200mm f/2.8G ED VR II.
Sony FE 70-200mm f/2.8 GM OSS.
Tamron SP 70-200mm f/2.8 Di VC USD.
Should I buy micro four thirds?
There is still a healthy demand for cameras with the Micro Four Thirds sensor. For one, the smaller sensor can allow for faster frame rates, without generating as much heat as larger formats do. This is why cameras like the Panasonic GH5 did so well and continue to be popular among videographers.
BESTSELLER NO. 1 in 2021
Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6 Lens, for Micro Four Thirds Cameras
Wide-angle zoom lens is designed for Micro Four Thirds mirrorless cameras and provides an 18-36mm equivalent focal length range.
Two Dual Super Aspherical elements, along with one high refractive index element and an aspherical element, reduce spherical aberrations and distortions throughout the zoom range for improved sharpness with minimal distortion.
One extra-low dispersion element suppresses color fringing and chromatic aberrations for greater clarity and color accuracy.
Movie & Still Compatible (MSC) autofocus system benefits both photo and video applications due to its smooth, quiet, and fast performance.
Retractable lens design with a locking button maintains a compact profile when the lens is not in use.
BESTSELLER NO. 2 in 2021
Sigma 402963 16mm f/1.4 DC DN Contemporary Lens for Micro Four Thirds, Black
Sigma USA authorized dealer, 4-Year Sigma USA
A wide-angle prime, this 16mm f/1. 4 is designed for micro Four Thirds mount Mirrorless cameras and provides a 24mm equivalent focal length.
Fast f/1. 4 maximum aperture excels in low-light conditions and also affords greater focus control for producing shallow Depth of field effects.
Three FLD elements, two Sled elements, and two molded aspherical elements to help reduce color fringing, chromatic aberrations, and spherical aberrations for notable sharpness, clarity, and color accuracy from Edge to edge.
A super multi-layer coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlight conditions.
BESTSELLER NO. 3 in 2021
Olympus M.Zuiko Digital 17mm F1.8 Lens, for Micro Four Thirds Cameras (Black)
No, the Micro Four Thirds or m43 system is not dead. A Micro Four Thirds camera (MFT – m43) is a mirrorless camera that features a Four Thirds sensor. By far the favorite camera by many travel and adventure photographers, the sensor is much smaller than the one of a full-frame or APS-C mirrorless or DSLR cameras.
The Micro Four Thirds system (MFT or M4/3) (マイクロフォーサーズシステム, Maikuro Fō Sāzu Shisutemu) is a standard released by Olympus and Panasonic in 2008, for the design and development of mirrorless interchangeable lens digital cameras, camcorders and lenses.
Production Costs and Quality of Components – one of the main reasons for the high cost of professional lenses, is production costs and high quality standards set by the manufacturer. Consumer-grade lenses are manufactured in batches in a mostly automated fashion with very little human involvement.
So in landscape photography, you'll typically want to use a higher f stop, or narrow aperture, to get more of your scene in focus. Generally, you'll want to shoot in the f/8 to f/11 range, topping out at around f/16.